和多数依靠密集台词推进的法国爱情喜剧不同，《挚爱1969》更像一部带对白的默片——皮埃尔·埃泰将舞台式的肢体调度塞进街头实景，笑点全藏在门的开合、椅子的摆放、衣服的褶皱这些细微动作里。他演那个笨手笨脚的追爱男人，一边想耍帅一边又疯狂出糗，看得人又心疼又笑到肚子疼。从此他每天的生活都开始滑向荒诞——妻子端来一模一样的晚餐，同事的脸变成模糊的圆点，连他卧室的床都会突然载着他冲下楼梯。每个段落都像一段精心编排的哑剧小品，却暗合1960年代法国社会对自由与亲密关系的矛盾心态。皮埃尔·埃泰那张脸真是绝了，一个挑眉、一个耸肩就能让你笑出来，安妮·弗拉泰利尼演的女主角也特可爱，俩人互动又笨拙又甜。埃泰的肢体喜剧继承自塔蒂，他扮演的男主人公在办公室追逐女秘书时，那段长达数分钟的长镜头追逐戏，几乎全靠脚步节奏和门框遮挡制造笑料，没有一句对白，却精准勾勒出欲望与尴尬的角力。

IMDB简介　　Pierre married Florence, the only daughter of a small industrialist. 15 years later, he is the boss, but his middle-class life worries him a lot. When a new young and lovely secretary comes, he starts dreaming. Written by Yepok　　Twenty-five year old Pierre is a man who likes to play the field, about which most of girlfriends are aware. Pierre falls into a relationship with Florence Girard, who he loves and marries more out of circumstance than anything. Their life is less than the exciting one he envisioned for himself, as he ends up working for Florence's father in the office of the family business, a tannery. Old habits surface as he embarks on a few extramarital dalliances, which he sees solely as distractions from the problems of marriage, one of those problems with Florence being her mother, who Florence resembles. Thus he sees his future as that of his staid in-laws. It isn't until he is in his late thirties that he truly does begin to contemplate ending the marriage, all because of his new eighteen year old secretary, Agnès, with who he believes he has fallen in love. The questions become whether he will do anything about it, if his feeling for Agnès truly is love, whether Agnès has similar feelings for him, and how Florence truly feels about marriage to him after ten years and visa versa. Written by Huggo

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