别以为这只是一场充满骚动与裸露的夜店游戏，这其实是一部披着歌舞片外衣的黑色惊悚片。 ♪。这不仅仅是个扒窃喜剧，更是一次对资本主义下物欲的辛辣解剖。那种疯狂又透着绝望的混乱劲儿，把几个女人的虚荣心展现得淋漓尽致。伊娃·马特斯和男主演在床上那场戏，完全没藏着掖着，劲儿都挺足的，看着特过瘾，那种现实主义感一下子就出来了。Angela Schmid把那种无路可退的绝望演得特别真，哪怕偶尔穿插着无厘头的喜剧，也让人笑不出来。

A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's The Women. It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men.　　The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work against the text, and from this has constructed an entertaining and engaging play about love between upper-class women with nothing better to do than sneer at others when things go wrong with their lives and loves.

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