《空气之魂，云之精灵》是亚历克斯·普罗亚斯早期作者风格的一次成型实验。导演的场面调度偏向舞台化，对称构图与高反差打光隐约显露出表现主义传统，让每一个静谧的荒弃场景都像被时间风化的标本。她的到来撕开了小世界的裂缝，也引出了关于云层中飘荡的“精灵”的古老传言，三人各怀秘密，彼此试探。演员的肢体语言比台词更有分量——Michael Lake把那种被执念吞噬的颤抖演得很具体，Melissa Davis的眼神则始终带着猜不透的警惕。某天一个自称来自远方的男人踉跄闯入，声称要造一艘飞艇，去追云层里“本应属于所有人的东西”。故事围绕一群“观察者”在荒原上追逐无形的风与云展开——没有炫目的特效，全靠演员对空气的实感表演撑场。

非常棒的超现实科幻片,与很像,导演Alex Proyas后来还拍了那部著名的,这是他的处女作.以下地址有详细介绍和剧照：　　Like a dream, some things can only be experienced to understand　　This film has some of the most beautiful imagery and haunting music ever. (Not to overstate it or anything) A three hander set in a post apocalyptic Oz outback (but one which is wildly more fantastical than Mad Max), Spirits of the Air tells the story of Smith, a stranger on the run who happens upon Felix and Betty, far into the desert.　　All around them are amazing images of cars buried into the ground like totems, huge flags blowing madly in the desert wind and their house itself is of the old oz pioneer style but decorated everywhere with crucifixes. Felix is an inventor obsessed with flight and making a glider, an obsession which has already left him in a wheel chair. Betty is one of the truly great film characters, just an absolute tripper - I can't describe her but the performance is a delight.　　This is not a fast film, it is not action packed but is intense - the imagery and art direction are beautiful, the writing is distinct and very Australian but still universal, the soundtrack is haunting (a lot of windsound montages with a simple tune used to great effect) and the performances are both real and surreal.　　Until you see this film (and for those who have enjoyed the increasingly brilliant work of Alex Proyas, you really should) you won't know what you are missing.

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