看《剪辑师》像掉进一盒八九十年代的录像带里，胶片颗粒、过曝的色彩和刺耳配乐一下把人拽回意大利铅黄片场的荒诞氛围里。如果你喜欢《阴风阵阵》的巴洛克疯狂，或对“元恐怖”如何戏仿自己充满好奇，这部片子会给你一剂过量的甜腻血浆。乌多·基尔演的那个导演，每次出场都像刚从老式恐怖片海报里走下来，瞪着眼睛念台词，荒诞得让人坐立不安。如果你是那种看惯套路血腥片、想找点新刺激的影迷，这片子能让你在血浆和冷笑话之间反复横跳——既过瘾又不会觉得廉价，尤其最后一幕的剪辑台转折，真是把“戏中戏”玩到了极致。乌多·基尔贡献了那种“随时会咬人”的神经质表演，男主角雷克斯·洛可则把一个倒霉偏执狂的疲惫感演得活灵活现。如果你对铅黄片那种恋物式的谋杀场景和反常规的剪辑逻辑上瘾，或者想看看如何用“拙劣”技法解构恐怖片套路，这部片子会带来别样趣味。

From members of Winnipeg’s infamous Astron-6 collective comes a loving homage and absurdist send-up of the Italian giallo genre. Rey Ciso was once the greatest editor the world had ever seen — but since a horrific accident left him with four wooden fingers on his right hand, he’s had to resort to cutting pulp films and trash pictures. When the lead actors from the film he’s been editing turn up murdered at the studio, Rey is fingered as the number one suspect. The bodies continue to pile up as Rey struggles to prove his innocence and uncover the sinister truth lurking behind the scenes. (Tiff 2014)

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