《和谐家庭》和同期那些靠鬼魂、狼人撑场面的恐怖片不同，它把恐惧塞进一栋看似平静的宅子里——一家人围坐吃饭时的沉默，比任何尖叫都让人发毛。迈克尔·布莱恩特饰演的父亲表面温和，眉宇间细微的抽搐却泄露了控制欲的溃烂；厄休拉·豪威尔斯贡献了最具爆发力的一场独角戏——她在镜前缓慢扯断珍珠项链，每一颗落地的声音都像在掐断神经。不是那种突然跳出怪物吓你一跳的冷，而是镜头里灰蒙蒙的英国乡间、屋子里始终压低的说话声、以及家庭成员之间那种礼貌得近乎诡异的微笑。 ☻。 推荐理由：影片不走一惊一乍的廉价路线，而是像剥洋葱一样，用日常细节的微小偏移来堆积恐惧——比如吃饭时突然停顿的餐具、走廊里一扇关不上的门、镜子里多出的一个影子。迈克尔·布莱恩特和厄休拉·豪威尔斯以低分贝的对话和克制的肢体语言，演出了家庭成员间爱意与敌意相互渗透的微妙状态。

Teenaged siblings Girly and Sonny lure young men back to their home to meet the eccentric Mumsy and Nanny. There, the men are forced to take part in strange games, the rules of which are never defined - and if they refuse, or transgress the unwritten rules, they're killed. But they may have met their match in New Friend, their latest victim, who starts to manipulate the foursome, setting one against the other.　　Bizarre combination of late sixties avant garde and sleaze. Director Freddie Francis had made horrors for both Hammer and Amicus but this is nothing like any of them. Shot on location with an atmosphere mixing playground horror and conservatory theatre that is downright weird and unsettling. The great lost girl of sixties British horror, Vanessa Howard, shines as she does in those other rarely seen gems Corruption [1967] and What Became of Jack and Jill [1972]. If Harold Pinter had made The Texas Chain Saw Massacre [1974] for the BBC this could have resulted. Excellent and unique.

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