哎，这电影是真的有点闷，不是那种一惊一乍的，更像像是一部慢节奏的心理惊悚片。想看那种让人从头冒冷汗到尾的，就冲这部准没错，绝对后劲十足！。导演特擅长把“鬼”拍得特别写实，甚至有点像某种传染病，看着特渗人。到最后反转的那一下，我盯着屏幕愣了好几秒，心里那种被揪住的感觉到现在都忘不了。那种封闭空间慢慢发霉的感觉，让人心里发毛。 施维赫夫演的那个拿着录音笔进去探险的科学家特别稳，特别是最后在黑暗中隔着铁丝网对话那段，光是听声音就能吓死人。

Vienna, 1920. The Austro-Hungarian Empire has collapsed. Peter Perg returns home from the Great War, after seven years as a Russian POW. Vienna is experiencing the multiplicity of political, social and artistic freedom, but also the rise of anti-democratic movements, insecurity and unemployment. Peter, a former police inspector, feels like a stranger in the new Austrian Republic. While wanting to leave town, Peter is confronted with the murder of one of his former comrades. He decides to stay and instead bring the killer to justice. His ally is Dr. Theresa Körner, a determined and cool-headed forensic doctor. The two are linked not only by this case, but also by a deeper, shared history. As their investigation progresses, they realise that they are not just up against a systematic killer, who tortures his victims, but also face disapproval and intrigue from within the police force. Though determined to solve the crime, Peter, harbouring his own secrets, increasingly becomes tormented by existential questions What is truth What is heroism in the time of war And all the while he fails to see the mounting danger before him.

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