《蝴蝶梦2013》和多数诗人传记片不同，它不急着歌颂才华或反抗压迫，反而用大量沉默的日常——矿工父亲把诗集悄悄垫在桌腿下、病床上反复折叠信纸的窸窣声——来稀释戏剧冲突。适合那些不追求刺激、喜欢安安静静感受情绪的朋友，边喝茶边看，像翻一本泛黄的旧诗集。尤其推荐给喜欢《蜂蜜》这类诗意现实主义、对历史创伤下个体创作困境感兴趣的观众，影片不提供廉价感动，却让每个镜头都成为对“为何写作”的严肃叩问。长镜头在狭窄病室与开阔海岸间缓慢游移，让诗意与绝望互为镜像。女孩像一枚突然落进煤堆的玻璃珠，让两个年轻人的友情和梦想都晃动起来。导演自己也演了个角色，那股子温柔劲儿藏都藏不住。

　　Last days of 1941 summer, the era of Obligation, during the famine atmosphere of the Second World War. In the middle of all this poverty and turmoil, there are two poets in their early twenties: Muzaffer Tayyip Uslu and Rustu Onur. They have been carrying tuberculosis germs in their lungs and love of poetry in their hearts for years. Two poets who have the constant habit of making bets on things that they do not own, make a bet on a beautiful girl. They will both write a poem for her and whichever Suzan likes, the other will fade from the scene..

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