故事是这样的：一个偏远山区的老宅里，五位互不相识的陌生人因一封匿名信聚集于此，信上只写着“盟约已至”。它不像《招魂》系列那样依赖明确的恶灵形象，而是用干燥的乡村风光和几乎静止的长镜头，把恐惧埋进日常对话的裂缝里——角色们对同一段录音反复争论，镜头却始终避开关键画面，让你只能通过噪音和演员微妙的呼吸节奏拼凑真相。女主角Monica Engesser被吓到的时候，嘴唇都在抖，那种真实的恐惧感比尖叫还让人发毛。如果你看腻了冤魂索命的套路，对“信仰如何异化为控制”这类主题感兴趣，这部片子会给你一种缓慢又黏腻的窒息感。导演把故事压在一个逼仄的屋檐下，灯光晦暗，连呼吸声都显得格外沉重。导演Robert Conway没有滥用廉价跳吓，反而用大量阴冷的长镜头和沉默的室内戏，把不安感钉在空气里。

After the tragic deaths of her husband and daughter, Sarah Doyle moves back to her childhood home with her estranged brother, Richard. It's not long before Sarah begins to experience supernatural phenomena of a violent and hostile nature. Bewildered and desperate, Richard enlists the aid of a paranormal investigator who confirms that Sarah has become possessed by a powerful demon. Together, the three men will go to battle to save Sarah's soul.

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