《红发1925》以极简的线性叙事勾勒童年压抑的肌理，杜维威尔善用室内场景的逼仄构图与光影反差，将母爱缺席的空间转化为心理刑场。 :-)。适合那些愿意静下心咀嚼家庭关系中暗涌的观众。剧情没啥大起大落，全是生活里细碎的委屈，但后劲特别大。适合能静下心感受默片表演颗粒度的观众，尤其推荐给那些喜欢琢磨“一个眼神如何杀人”的人。适合谁看呢？你要是对早期电影好奇，或者想体验默片时代那种纯粹的表演，这部真的可以翻出来看看。

　　Summary
　　Bullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be.  An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear...
　　Review
　　Drawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte.
　　The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944.  Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance.  The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.

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