对比西方改编版本对英式幽默的亦步亦趋，这部苏联版《理想丈夫》反而因“水土不服”而别具风味：导演将王尔德笔下的伦敦上流社会，悄悄置换成了莫斯科体制内的名利场，讽刺对象从贵族虚伪转向了官僚的自我美化。整个片子节奏特别轻快，对话又机灵又毒舌，那些政客和贵族的虚伪嘴脸被扒得干干净净。 这部苏联喜剧没有用夸张的肢体语言逗乐，而是靠优雅的台词交锋和人物微妙的心理变化制造幽默。片子节奏特别快，台词密得像连珠炮，一场接一场的对话里全是机锋和误会，尤其是晚宴那场戏，十来个人挤在客厅里互相拆台，热闹得跟赶集似的。尤里·雅科夫列夫演的那个“理想丈夫”，表面一本正经，背地里一堆小心思，看他和柳德米拉·古尔琴柯飙戏简直过瘾，俩人眼神一来一回就能让你笑出声。古尔琴柯演的夫人也绝，优雅中带着狡黠，俩人斗嘴的戏看得人直乐。

　　Sir Robert Chiltern is a successful Government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed. Sir Robert turns for help to his friend Lord Goring, an apparently idle philanderer and the despair of his father. Goring knows the lady of old, and, for him, takes the whole thing pretty seriously.

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