《蠢货》摆脱了当代影坛常见的炫技叙事，用一种极度克制的镜头语言，将三个年轻角色粗粝又真实的生存状态赤裸呈现。它摒弃了高饱和度的滤镜和悬浮的独白，用近乎粗糙的镜感记录了一群边缘少年的破碎日常。Lio Mehiel演的那个浑浑噩噩的角色特别抓人，他在录音室里对着麦克风吹麦克风的那几段，全是那种想哭又憋住的痛感。Cole Doman和MiMi Ryder也超棒，三个人的互动又搞笑又心酸。导演克洛茨用一种粗粝、贴近生活肌理的手持影像，精准捕捉了边缘青年在逼仄空间里的躁动与迷茫。影片的独特之处在于，它拒绝放大苦难，而是把镜头对准了极具生活质感的琐碎日常。

　　Within the space of 24 hours, Feña is swept through the extremes of human emotion, when people who seemed to disappear when he transitioned are suddenly back in his life. What counts are not just the things that change, but also those that stay the same.

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