卡罗琳·彼得斯与波斯·曼达尼在导演Katherine Dieckmann的调度下，构建了一种近乎荒诞的现代荒诞剧。即便熟悉情节桥段的观众，也能在导演对空间符号的陌生化处理中，发现新的解读维度。 ❀。 ☁。对于喜爱人物心理流变与慢节奏电影语言的观众而言，这是观察人性幽微之处的一剂良方。对于渴望透过幽默探讨亲密关系权力结构的观众，这部电影提供了一种极具象化的心理侧写。

Life was going well for Marie until her husband, in front of friends, asks for a divorce. She subsequently spends the night drowning her sorrows in a lesbian bar, where she encounters Fa, a charismatic heartbreaker who is busy running her business and caring for her elderly Iranian mother, whilst avoiding being pinned down by any woman. Well, until now…

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