《布查》把纪实与虚构揉碎了拍，宛如剥洋葱般残酷，视觉上极具冲击力，叙事克制得让人窒息。虽然题材沉重，但并没有一味卖惨，反而用冷峻的镜头捕捉了战火中那一抹人性的微光。影片摒弃了传统悬疑的快节奏，用冷峻、静谧的镜头语言，以近乎白描的方式深入挖掘悲剧背后的创伤。这部片子适合喜欢慢节奏、追求心理共鸣的观众，对于喜欢《寄生兽》那种关注边缘群体现实的影迷来说，看完绝对会感到一种深深的无力与哀伤。导演Tiunov并不热衷于宏大战争场面，而是用冷峻、近乎病态的质感，捕捉了人性在极端环境下的崩坏与异化，结局更是将这种绝望感推向高潮。如果你喜欢《杀人房间》这类侧重心理博弈和氛围营造的作品，这部绝对不容错过，会让人在看完后脊背发凉。

　　Konstantin Gudauskas is a Jew born in Kazakhstan, but received political asylum in Ukraine.  After the Russian invasion begins on 24 February 2022, he is able to travel freely to the occupied territories and evacuate civilians from there thanks to his Kazakh passport. During the next months he saves 203 people by taking them out of the occupied territories. Konstantin observes firsthand the horrors of war and the atrocities of the Russian occupation. Throughout this time he is advised and guided by a woman, Haide Rizaeva, a Crimean Tatar, employee of the Main Intelligence Directorate.

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