如果你正在犹豫要不要看，我可以告诉你：德尔伯特·曼把镜头压得很低，像偷窥者一样贴着人物走，整部片子里没有一处煽情的配乐，全靠阴影里的眼神和突然静默的停顿来传递情绪。适合喜欢《日落大道》式孤独气质的观众，尤其推荐给那些曾想过“如果能回到过去该多好”的人。这部片子尤其适合那些对“完美生活”有所怀疑、能忍受缓慢叙事节奏的观众——它不给你答案，只让你跟着主角一起失眠。弗雷德里克·马奇演的中年鳏夫，脸上每一道皱纹都藏着不敢说出口的渴望；金·诺瓦克则用神经质的小动作，把一个渴望被爱又害怕流言蜚语的年轻女人演得让人心疼。金·诺瓦克把那种“明明害怕却强撑体面”的神经质演得特别细腻，弗雷德里克·马奇饰演的丈夫则始终藏着说不清的疏离。适合喜欢老派心理悬疑、愿意耐心咂摸人物关系而非追求快节奏反转的观众。

A 24-year-old divorcee, Betty Preisser, a receptionist for a clothing manufacturer, takes some office work home which her boss, widower Jerry Kingsley, a man of 56, drops by to pick up. Professional rather than personal acquaintances, Betty tells Jerry of her loveless marriage to George, a musician. Jerry has a married daughter, Lillian, about her age, and a spinster sister, Ev...

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