嘿，给你安利一部意大利喜剧《囚鸟》。全片没有大牌特效，只有灰扑扑的牢房和几个老式收音机里传来的意大利民谣，适合那些看腻了美式快节奏、愿意为一场五分钟的踢踏舞逃脱戏等半天的观众。剧情在一栋公寓楼内展开，几组看似无关的人物因为一只逃亡的鹦鹉阴差阳错地纠缠——这种封闭空间里的巧合链，比同类多线叙事（比如《两杆大烟枪》那种快节奏）更闷、更慢，但也更贴近普通人生存缝隙里的荒谬。这片子特别适合周末窝沙发上，不想动脑子就想轻松笑一笑的时候看。最打动我的是结尾那场没有台词的晚餐戏，所有人盯着盘子，没人说话，却比任何争吵都更有力量。和《完美陌生人》那种密集对话推进的喜剧完全不同，这片子的幽默是“等出来的”——当你和角色一起百无聊赖时，某个荒诞的瞬间突然击中你。

It is said that laughter is at its best when a smile breaks through tears. The name of the Italian-born world citizen Andrea Magnani should not be unknown to the audiences of P?FF. Those who still remember the director’s wonderfully convivial debut “Easy” which was screened at the festival in 2017 and in which a sissy who has come to love food too much is suddenly placed in fro...

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