故事是这样的：一位乌克兰外科医生在顿巴斯前线被俘，经历了非人的折磨后侥幸获释。瓦夏诺维奇延续了他在《部落》《亚特兰蒂斯》里的冷冽风格——全片大量使用固定长镜头，画面近乎静止，镜头死死盯着角色的脸或空荡的房间，背景只有环境音和漫长的沉默。剧情不煽情，却用孩子画给父亲的涂鸦、前妻欲言又止的对话，把战争对人的磨损一层层剥开。剧情没什么大起大落，就是日常：修车、吃饭、接送孩子，但每件小事都像踩在薄冰上。它不解释“为什么”，只呈现“如何存在”。导演用冷静的固定长镜头，把战争创伤剥开给你看——没有硝烟和爆炸，只有获释后的军医在日常生活里一次次被记忆拽回审讯室。

Ukrainian surgeon Serhiy is captured by the Russian military forces in the conflict zone in Eastern Ukraine and while in captivity, he is exposed to horrifying scenes of humiliation, violence and indifference towards human life. After his release, he returns to his comfortable middle-class apartment and tries to find a purpose in life by rebuilding his relationship with his daughter and ex-wife. He learns how to be a human being again, how to be a father and help his daughter, who needs his love and support.

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