这部2005年的韩国短片《婚礼》是部极具冲击力的情感神作。如果你平时爱看温馨剧情片却偶尔想换换口味，或是好奇韩国人到底是多不按常理出牌，这部片子绝对能让你在爆笑中笑着笑着就陷入了沉思。 影片最大的看点在于其独特的“仪式感”叙事，全程没有对话，仅凭百余人虔诚的婚礼现场营造出一种肃穆、甚至带有压迫感的宿命氛围。那个始终在奔跑的婚礼现场背景，更是点睛之笔，既讽刺又令人窒息。非常适合喜爱细腻叙事、想体会“婚姻围城”或追求小众剧情片的观众深夜独自品味。主演李秉宪在这部戏里演技炸裂，那种把爱恨都藏在玩笑里的表现，把两个家庭之间那种尴尬又微妙的距离感演活了。

Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division of Poland under Russia, Prussia, and Austria. The bridegroom, a painter friend, and a journalist each in turn is confronted with spectres of Polish past. In the end a call to arms is called but turns out to be a hoax.

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