故事是这样的：1944年秋，保加利亚边境小镇上，一个年轻士兵从战场带回来一双锃亮的漆皮靴——那是他阵亡的战友留下的唯一遗物。演员们收着演，哪怕是被抓的村民，都像刚从院子里被拽来的，毫无“英雄相”。 影片叙事极其克制，镜头常常停在一扇破窗、一缕香烟或者靴子反光上，让沉默自己说话。导演兰赫尔·伍尔恰诺夫故意让镜头在泥泞的靴子、晃动的军装扣子和士兵空洞的眼神间停留，用近乎纪录片式的粗粝质感，把战争拆解成一连串令人发笑的荒诞日常。这片子适合能忍受留白和长镜头的观众，也适合那些对“宏大叙事”有点厌倦、更想感受普通人怎么在历史碾过之后继续活下去的人。导演兰赫尔·伍尔恰诺夫没有拍英雄冲锋，反而让镜头长久地停留在一双靴子的磨损、补丁和泥泞上——通过它勾连起几个小人物的生前死后。

This is a story of lifetime. A story full of spiritual power biography, behind which stays a whole age in the national development of Bulgaria.　　Reality Fantasy, 6 May 2006　　Author lordsin from Bulgaria　　This is one of the best movies I've seen. Some may say it has no sense, but if you look closely you'll notice that this movie is a philosophical masterpiece. It shows several scenes of life in the village and then the brilliant Rangel Vulchanov puts reality into a boy's fantasies. The movie jumps from birth to death, from wedding to funeral, from joy to sorrow, from reality to fantasy, from war to peace. There are lots of laughable moments for the comedy fans, and there's drama for the drama fans. You won't forget this movie once you've seen it. It's a true gem! It will give you all you want even more...One of the best Bulgarian movies ever made. Better than all of the French movies altogether!

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