如果你正在犹豫要不要看，我可以告诉你：这部影片用冷峻的镜头和近乎散文诗的节奏，将一个普通家庭的破裂过程拍出了史诗感。导演穆拉托娃特别会利用各种嘈杂声，像做饭切菜、大声叫嚷，混在一起听着特别真实，又透着股窒息感。琪拉·穆拉托娃的镜头语言克制又深情，人物对话中那种带着俄式忧郁的坦诚，还有演员们为了拍好一场农场里的吻戏反复NG十几次的坚持，都让这段告别显得格外动人。看一个性格孤僻的人在社交压力下如何逐渐崩坏，比看一场大团圆更让人后背发凉。看着他们一家子为了点破事天天吵架、互相瞪眼，真是又真实又无奈。适合喜爱新现实主义与先锋戏剧美学的观众细细咀嚼。

It is a great film by a great director.Kira Muratova has never been given her due in the Soviet and post-Soviet Russia.In the Long Good Bye she depicts a seemingly banal story of a jealous and possessive mother (brilliantly acted by Zinaida Sharko) and her poor aloof and lonely son (the only cinematic role by the talented O. Vladimirsky). The story - which is nothing extraordinary in itself - grows into the wonderful and frightening analysis of alienation between genders and generations on the background of the even more frighteningly bleak and dehumanized Soviet reality.Kira Muratova shows the tiny details of everyday Soviet life,and, again , banal as they are ,they are a hair-raising horror.The dialogue is deliberately laconic and void of any sense, showing the ever-growing people's inability to communicate and understand each other.The sound track ( by another under-estimated talent, Oleg Karavaichuk)adds to the atmosphere of hopeless and meaningless existence.Of course,Sasha (the name of the protagonist),will leave his despotic ( but loving!) mother sooner or later, but where for (c)

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