故事是这样的：一位名叫西尔维娅的非裔女教师，为了给南方一所濒临关闭的乡村学校筹款，独自来到北方城市。1920年的黑白无声电影，导演是黑人奥斯卡·米绍，你想想那时候美国还在搞种族隔离，这片子居然敢直接把私刑、种族歧视摆上台面讲，胆子够大。剧情上有几个反转挺意外，尤其结尾那段关于身世的秘密，让人愣一下。它不提供轻松娱乐，但会让你看到一个被主流遮蔽的创作者如何用镜头反抗偏见。伊芙琳·普雷尔在回忆场景中颤抖的双手、突然躲闪的眼神，让我真切感受到一个黑人女性被罪恶往事纠缠时的窒息感。这部电影适合那些想了解早期美国种族现实、愿意从普通人的眼泪中感受历史的观众，它不提供答案，但会让你在片尾字幕升起时，长久地沉默。

Abandoned by her fiancé, an educated negro woman with a shocking past dedicates herself to helping a near bankrupt school for impoverished negro youths. Within Our Gates was created in response to The Birth of a Nation which depicted southern whites in need of the Ku Klux Klan to protect them from blood thirsty blacks. Micheaux shows the reality of Dixie racism in 1920, where a black man could be lynched for being in the wrong place at the wrong time.

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